“Sometimes it looks like a bomb went off when I go up there,” she says, resigned, “but for the most part, my feeling is: keep the chaos upstairs and everyone’s happy.”Ĭavallari enjoys jumping from one project to the next. “It’s where all three of their bedrooms are, the playroom, an arts and crafts room, and a game room.” The playroom came with built-in bunk beds, which make sleepovers even more fun for Cavallari’s children. “The second level is essentially the kids’ zone,” she explains. When Cavallari’s children have friends over, they typically head upstairs. “If I am cooking in the kitchen and my kids are in there, it’s like we are in the same room.” The space is also where the foursome watches movies together. “That’s where everyone congregates,” says Cavallari. The family room is located right off the kitchen and serves as the main gathering place. Likewise, she chose kid-friendly, upholstered ottomans free of sharp corners, to serve as coffee tables in both spaces. There’s a black iron four-poster as fine as a line drawing, creamy white linens, and a plaster chandelier suspended by a brass chain.For the downstairs family room and upstairs playroom, Tomlin sourced large, comfy sectionals and added chunky knit blankets and plenty of pillows. Speaking of rooms opening up, the bewitchingly romantic master bedroom, with its glass door that disappears entirely, is another instance where she kept things serene, sophisticated, and simple. It’s all about the way the room opens to the outside.” “I’m a lover of wallpaper, but here the walls were kept matte white and plastery. Kemble let the homeowners’ vintage art collection supply most of the color. In the open-air sunroom, a refined 20th-century-inspired sofa is upholstered in a subtle indoor/outdoor stripe and carries quiet sophistication tribal-print indigo fabrics and vintage teak ensure the room’s link to the outdoors is organic and authentic. The mix of furnishings and materials is high-spirited and glamorous. Her palette of white, pink, flax, navy, and the pale blue-green of sea glass is anchored with dark woods. Interlocking white oak tile (Jamie Beckwith) brings the variations of natural wood to the crisp white kitchen. Every part of the house engages the water, the light, and the outdoors simultaneously, twisting them together in clever, highly original ways. With its enormous porch pavilion and smooth stucco colonnades with arches trimmed in white, it’s a riff on British Colonial style as seen in places like Barbados but jazzed up with a certain dream logic. Both the exterior and interior feel classic, yet they’re really all about views of Gordon Pass, the main deepwater route from the Naples marina to the Gulf of Mexico, and the nature preserve beyond it. The house’s architects, Jon Halper of Halper Architects, LLC, with MHK Architecture and Planning, wielded this sort of arresting magic throughout. You can sit on the sofa and watch schools of dolphins swim by. “It really is fascinating to have what is basically a traditional house where the main rooms feel like grand entrances to the outdoors,” Kemble says. The sunroom becomes a refined waterfront lounge thanks to retractable glass and a shallow pool with floating stepping pads en route to the terrace.
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